Creating music for games.

What I offer

Planning, composing, producing, mixing and integrating your project’s soundtrack, with a collaborative mindset.

Using your preferred means of communication, I provide quick revisions and iteration.

I compose in a wide range of genres, specializing in quality virtual instrumentation, electronic production and compelling themes. The sample work above helps to illustrate the extent of my range.

While simple loops and fade-outs have been a long-standing method of game music integration (especially in indie games), adaptive music is crucial in providing more player immersion, and depending on your project needs, I would recommend going for a dynamic music system, with natural music transitions and layering reacting to gameplay (using audio middleware like FMOD).

I also have some experience creating sound effects, if you are looking for bespoke VFX with simple integration, and if your budget doesn’t allow for a dedicated professional sound-designer.

Musical influences

My inspiration comes from many places, including video game & film soundtracks, classical music, jazz fusion, ambient, funk, classic/modern pop, rock & hip-hop, indie rock, EDM…
My style often incorporates “Japanese” harmonic language, often found in music from Joe Hisaishi, JRPGs, Nintendo, J-rock and Toby Fox.

Below is a list of specific artists whose work I cherish, for the curious:

Film composers like Hans Zimmer, John Williams, Ludvig Göransson and Joe Hisaishi, Japanese game composers like Nobuo Uematsu, Koji Kondo, Kow Otani, Takeshi Furukawa, Yoko Shimomura and Shoji Meguro, Western game composers like Austin Wintory, Mick Gordon, Darren Korb, Toby Fox, and C418, Anime composers like Yoshihisa Hirano, Yugo Kanno and Kevin Penkin, classical composers like Gustav Holst, Vaughan Williams and Antonio Vivaldi, and other artists like Alex Seaver, Jacob Collier, Snarky Puppy, Coldplay, Stromae, Woodkid, Calogero, Vintergatan, Victor le Masne, and Daft Punk.